Cheat: a Hometown haunting

Written by Baylie Hoffman (they/them)

It’s spooky season at Struthers Library Theatre! We are proud to host the new and upcoming film, Cheat, from the independent production company, Four Eighteen Films, founded by Kevin Ignatius and Nick Psinakis. They are committed to conceptualizing and developing low-cost, high quality, independently produced films. Four Eighteen stems from the birthday they both share, April 18th.

            Since joining the SLT staff, I have been gratefully tossed around in all different directions outside of my comfort zone, this being one of my favorites. I was told Kevin needed an extra in a scene, with only a few lines to say. I headed to Pitt-Bradford campus, anxiously repeating my lines for the duration of the 45-minute drive. Kevin, Nick, and the rest of the cast and crew were more than welcoming and encouraging. I got to hang out on set for the entirety of the afternoon, going over the scenes again and again. There’s no greater imposter syndrome for an introvert than seeing your name roll through on the credits of a film.

            Cheat had its world premiere in August 2023 for the FrightFest UK, which started in 2000 and has grown immensely ever since. When I asked Kevin what kind of exposure this festival was able to bring for their film, he stated “FrightFest UK is a globally recognized genre festival and has quite a backlog of notable genre filmmakers who got their start there and went on to become successful. To have the Cheat World Premiere there was quite an exciting opportunity and experience. Nick and I are so grateful to the team of FrightFest for granting us that.”

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            Just like their previous film, Long Dark Trail, Kevin filmed Cheat in our backyard of northwestern Pennsylvania. Aside from originally being from Warren, I asked Kevin what his biggest inspiration was for filming around here. He stated, “the cinematic value and beauty that it offers, from the rural farmlands to the dense forests, to the historic architecture of downtown Warren.” Kevin takes pride in utilizing our beautifully underrated landscape and “giving an opportunity for creative locals to get involved in the filmmaking process. Keep a made in PA mantra going.”

Four Eighteen Films at Struthers Library Theatre.

            Keeping it made in PA even included filming multiple scenes at our very own theatre. Kevin and Nick needed extras for certain scenes, utilizing our very own staff, as we called upon our friends and family to join in on the fun. Not only my parents and my sister, but my 96-year-old grandma got to sit in for the scenes. And yes, she will be signing autographs for anyone interested. My final interview question for Kevin was if he always had intentions of filming at the theatre and going so far to include staff and residents. He responded by saying “I did! I have been wanting to utilize and film scenes in SLT for a while now and I finally got the chance! There’s something to be said about watching a scene take place in the actual theatre you are sitting in – and quite an unsettling scene at that.” This will, without a doubt, add an extra scare for the audience! “And yes of course, as most people know about Nick and me, we love pulling acting performances out of local people that they may have not felt they had in them.” Kevin continued “Sometimes you get the most natural feel visually in the end and it’s a win/win.”

            Join us October 28th at 7:30PM, with Kevin introducing the film, props from the film, and a special performance by Sara Arlene with Eric Morelli of her original song for the Cheat soundtrack! Learn More Here: CHEAT FILM

A Day in the Life

Written by Baylie Hoffman (they/them)

Even during the slow part of a season, there is never a dull moment in the SLT office! Behind the scenes there is always marketing to be done, grants to be written, and typically the strangest task you could imagine (certainly nowhere in the job description). With only a small team of five staff members and countless volunteers, there is always work to be done.

            In the winter of 2022, as I was relaxing on the couch, I got a call from the boss (Executive Director, Karen Austin) that the new acoustic paneling for the rehearsal hall needed moved urgently! With our staff and a few extra willing volunteers, we spent a damp and snowy day in December loading 4,000 pounds of acoustic paneling onto the elevator and up the stairs. Yet another new project was beginning.  Not only did I receive a great workout, I now know the feeling of fiber glass in my fingertips (and hair, clothes and my immune system probably).

            The lull between the busy season doesn’t mean that chaos and activity is far away. From brand-new wireless microphones getting shipped in hours before the Footloose production, props and stages being crafted by Eric Morelli (Artistic Director) for the Academy and Celebrity Series, the set-up for private and public events, Karen Austin cooking for our celebrity acts and security, Jenn Scalise (Office Manager) from answering phones and running numbers to painting sets for upcoming shows, to stage-set up for monthly films, new sound boards being self-taught (to name a few), there is, consistently, a never-ending to-do list!

            More recently, we all hopped in the car to move a baby grand piano, generously donated to our theatre. We dismantled it and once our helpers arrived with a truck, we loaded everything up, and back off to the theatre we went.

            From an outside perspective, it may not seem like much is happening during our off season, but there is rarely a dull day that goes by at Struthers Library Theatre. After all, this place has persevered for 140 years and counting. Learn More about our staff here: SLT STAFF 

Peacocks and Paint Cans

Photo by Gary Lester.

Written by Baylie Hoffman (they/them)

In the late 1980’s, as the theatre was restored and revived, Quinn Smith took on the project to oversee the reproduction of the 1919 stenciling in the theatre. He was a dedicated volunteer, artist, and one of the founding members of the Friends of the Library Theatre. They quickly learned there was no visual remains of the auditorium stenciling at that time, until they removed the sound deadening panels on the walls that existed from the movie theatre era. This revealed the remnants of the 1919 stenciling, and with an attempt to replicate the colors of what we see now, they were back in action. Quinn Smith and other volunteers were able to trace the original designs and cut new stencils before hand-painting them onto the walls. Cobbs Wallpapering and Paint company donated all the material needed, allowing the intricate project to begin.

            In July of 2023, I spoke with two of the gentlemen who spent countless hours hand painting all these intricate details in 1983. When asked what his experience was atop those scaffolds, Jim Siliano chuckled and stated “It was hairy.  It was a neat job to do, and we were able to make it turn out nice.” Whereas when asking Ed Reedy, he stated, “I did those type of jobs all my life, so I was used to doing it.” He went on to say this was his first job back in Warren and he had no trouble finding work after such an important well-known project. “The only unique thing about that was that we had an engineer trying to figure out how to do the ceiling, as it would have been a plum bob back in the day” said Reedy. Of course, I had further questions about exactly what that tool was and how it was used. A plum bob is a weight with a pointed tip on the bottom, suspended from a string and used as a vertical reference line.

As for the peacocks in the lobby entry, Quinn Smith hand painted this reproduction of a motif that is featured on the original 1919 asbestos fire curtain that hangs above the stage.

Quinn Smith hand-painting peacocks, 1983.

            It’s always all hands-on deck at Struthers Library Theatre! Big or small, no great feat is completed without the time and hands of countless volunteers and employees over the years. Special thanks to Ed Reedy, Jim Siliano, and Ellen Paquette for help with more information.

SLT Summer Workshops

Written by Baylie Hoffman (they/them)

The SLT Academy Summer workshops have been in full effect this summer, starting with grades 1st through 7th. This year’s workshops are taught by the one and only, Academy Alumni and Point Park University Musical Theatre Student, Logan Johnson. Logan keeps these kids joyous and busy with all sorts of theatre fun.

            “It’s been such a joy for me to be able to revisit much of what I’d learned my first year of schooling at Point Park, especially with a group this excited and enthusiastic. Throughout the week, I worked with student’s 1st – 7th grade on group warmups, practices of acting and improvisation, ensemble building, and monologues. Not only were students receptive but they were eager to creatively build upon what I gave them. For example, their addition of props and costuming in their open scenes exercise led to fully improvising and writing their own plays!” says Logan Johnson.

            These classes are full of exciting group games, improv, acting exercises, theatre tech tour, and more! These kids learn to think on their feet and work together as a team.  From the ARTE 100 level, student Anastasia Cauley, (age 8, almost 9 she clarifies) states she joined theatre to try something new and ended up loving it. “My favorite part is interacting with other kids and making new friends. Someday maybe I’ll be an actress and make money.” In the ARTE 200 group, 11-year-old student Kyler Bosko, states he has been in theater for four years and initially his mom forced him to do it, but he ended up loving it. He loves the responsibility of performing and taking summer improv classes. Artistic Director, Eric Morelli, states “The summer workshops are a great chance for our students to take a break from preparing for shows to focus on essential performance skills. Having Logan, a former Academy student and current Point Park Music Theatre major, leading the classes brings youthful enthusiasm to the program.”

            By the end of the first weeks of workshop, Logan Johnson says, “I’m so proud of all that we were able to accomplish and create together over the course of the week. I’m overjoyed in, now, playing my part here to cultivate a positive space for growth and belonging for these students—a space that had led me to fall in love with the theatre back when I was in these same programs. I knew I’d done my job when I heard, ‘I wish this was every week this summer!’”

            From August 7 -11, 2023, grades 8th through 12th will be able to participate in the excitement. Learn more here about registration.

Twelfth Peacock Award

Written by Susan Stout (she/her)

As part of the on-going celebration of the 140-year anniversary of the Struthers Library Theatre, three leaders of the 1983 restoration of the Theatre met recently for a technical tour of the Theatre. David and Pat Marquis and Chase and Mary Putnam were central to that Centennial Restoration, and this was a reunion of sorts for Dave, Chase, and Mary. By 1990, the Theatre had deteriorated in every way after decades of limited and decreasing use solely as a movie theater. The Marquis and Putnam families dreamed that with a combination of hours and hours of volunteer labor and the generosity of the Warren community, they could bring live theater and music back to Warren. The community responded brilliantly. More than 300 volunteers donated evenings and weekends — at least 10,000 hours — and lots of sweat equity to the cause. This fund-raising effort yielded more than 350,000 dollars (equivalent to $1,066,035.00 in today’s dollars). Still today, those who helped with the Centennial restoration remember the work with a smile–even through memories of cramped and aching muscles. “There was such great camaraderie, a real sense of doing something great for the community together,” one veteran of the project recalled.

The recent tour highlighted the ways that ensuing generations have honored the vision of the Centennial planners. Former Executive Director and Peacock Awardee, Marcy O’Brien, highlighted the addition of the elevator, with its view of Warren and the nearby hills. Barb Crowley, another Peacock Awardee and the Theatre’s lighting director, showed the continuity with the projection booth added by the 1980s volunteers and the ongoing modernization of equipment. Current Executive Director Karen Austin led the tour group through the recently completed renovations of the Sisson Rehearsal Hall where theatre Historian and Peacock Awardee, Ellen Paquette, yet another Peacock Awardee, had literally dug through the layers of paint there to ensure that the paint colors chosen for the rehabilitation were historically accurate. And with over 4000 pounds of new sound-dampening panels installed, the rehearsal hall has completely transformed cast experiences in tryouts and practices for theatre programs. With the presence of so many of Struthers Library Theatre trailblazers in attendance, what better way to complete this celebration of history and continuity than to make one more Peacock Award. At the end of the tour, Struthers Library Theatre Board of Trustees President Susan Stout surprised Marquis with his own Peacock Award — only the 12th in the Theatre’s history. “With the enthusiastic and unanimous support of the Board of Trustees, we offer this Peacock Award to honor David A. Marquis for the leadership, vision, and hard work he has dedicated to our beloved Theatre.”

The History of Drag

Written by Baylie Hoffman (they/them)

In celebration of pride month, I want to touch on the art and history of drag queens, as it is becoming even more highly recognized and appreciated. Anywhere from your local bars to everyday media consumption, drag is changing our language in gender expression, art, and talent.  

The Art of Drag: Author- Jake Hall

Illustrators: : Jasjyot Singh Hans, Helen Li, Sofie Birkin

            In the 19th century, drag was used in reference to perform in clothes or a persona different than your own gender, however according to the Oxford Dictionary, the word “drag” has existed since at least 1388. The first drag “ball” or competition goes as far back as 1867, when both men and women performed at the Hamilton Lodge in Harlem. Not only men, but women as well, assuming that this is roughly the time the term “drag king” was coined. By the 1920’s, the term “drag” was knowingly being used by gay people, it is theorized that it entered from Polari, a secret language born out of the criminalization of the LGBT+ community in England. In the 1950’s drag performances made their way to bars in more accepting spaces such the Black Cat in San Francisco. Over the next few decades these spaces were specifically curated for the gay community, expanding even into film with John Water’s 1972 film, Pink Flamingos. This film featured the drag queen widely known as Divine, who was the inspiration behind the character of Ursula in The Little Mermaid.  In 1990, the documentary, Paris Is Burning, made drag more visible to the public; it paved the way in giving a voice to a community of people that had long been condemned and hidden in mainstream media. In 1993, the name we all know and love, RuPaul, graced the world with his hit song, “Supermodel.” In 2009, the hit show, RuPaul’s Drag Race, premiered and now has completed 15 seasons with several spin-off versions. The art of drag is more universal and beloved than ever before—with drag shows, tours, concerts, broadways, and conventions. It is nearly impossible to sum up centuries of history but drag will forever be a larger-than-life experience.

            In reference to our own theatre, a drag queen or “female impersonator” (as they were labeled then) performed at Struthers Library Theatre in 1928. Their name was Francis Renault and they were one of the best-known female impersonators in Vaudeville. From Carnegie Hall to performances in 42 countries, Renault stood at the top of their profession alongside Julian Eltinge and Karyl Norman. Renault was particularly known for their fine ostrich feathers and a $5,000 wardrobe that would be roughly worth $65,000 today.  Francis Renault had a long-lasting career at this time, performing up to just two years prior to their death in 1955.

            The art of drag and gender expression has always been surrounding us, creating meaningful impact on people and our culture—now with more backlash than ever due to negative media influence. Drag has always been and will continue be the drive that has changed lives for centuries. The LGBT+ community will continue expressing themselves within the arts and creating a safe place in creativity and gender expression for anyone willing to embrace the love and kindness we cast.

Learn more about upcoming pride events here.

The Vaudeville Drop

Written by Baylie Hoffman (they/them)

In the year 1920, our own historical Vaudeville drop was created. This drop is kept on our stage today and still occasionally used for productions. This detailed drop, commemorating the era of its time, was painted by Charles F. Thompson Scenic Company of Chicago, and Los Angeles. It measures about twenty-two feet high and thirty-four feet across.

Photo taken by Jeremy Jeziorski

The businesses of the early 1900’s were painted on this drop, and if you look closely, you will notice several of them have their four digit telephone numbers listed. A gentleman named James Stearns was the initiator behind bringing the first telephone to Warren. Stearns strung the first telephone line from the Western Union office on Second Avenue to his home at Second Avenue near East Street, four blocks away. He was able to connect 25 other telephone lines before he was hired by the Warren Borough Council. By 1896 there were 137 operating telephones in Warren. Four-digit numbers would be a lot easier to remember in comparison to the 335 area codes and seven digit numbers that we have today!

The first business listed on the left is the Graham Motor Company. This was owned by Harry D Graham and had distributors through Chandler and Cleveland Cars; their four-digit phone was 1678. Another business listed is the Warren County Dairy Association, which had the easiest accessibility for historical business information today. The president was Dr. C. J. Frantz, and it was located on 207 5th Avenue East. Warren County Dairy Association used the embossed style of glass milk bottles. They took over the pasteurizing, bottling, and selling of milk for smaller farms. Lastly, the East Side Service Station, owned by T.J.  Giltinan, was where people could fill up their cars and receive record-keeping booklets to regarding the servicing of their vehicle.

Warren County is overflowing with history in every direction. And although you would think there would be never-ending documentation, I struggled to find information about many of these businesses. If you know anything about these places and people, feel free to contact me through baylie@strutherslibrarytheatre.org.

Photos taken by Jeremy Jeziorski

140 Years In Retrospect (Part 2)

Written by Baylie Hoffman (they/them)

Moving forward into the last two decades, the Celebrity Series was revived, bringing in famous names such as Lily Tomlin and Vicki Lawrence. Tomlin is one of America’s most beloved comedians, showcasing her popular characters Edith Ann and Ernestine from the hit television show, Laugh-In. Long time theatre volunteer Barb Crowley, states “After the show she kidded around with the theater staff and crew members, allowing us many photographs with her. She insisted on sitting down and having a beer and shooting the breeze with us.” Tomlin is still creating longevity well into her 80’s with award winning shows such as Grace and Frankie. Lawrence performed her two-women show, with credentials consisting of The Carol Burnett Show and Mama’s Family.

In the aspect of music, our celebrity series has included Grammy-Award winner, Rita Coolidge, with hit songs We’re All Alone and Higher and Higher. The year 2014 was an unforgettable time of music here at Struthers Library Theatre featuring Michael Bolton, Kansas, Loretta Lynn, and Arlo Guthrie. Bolton, known for his soulful voice and timeless style, graced the theatre stage with iconic songs such as Time, Love, and Tenderness and When a Man Loves a Woman. Kansas, an American Rock Band that took off in the 1970’s, serenated with songs we all know and love--Carry on Wayward Son and Dust in The Wind. Loretta Lynn, with a full career of six decades and an abundance of awards under her belt, is considered one of country’s most iconic women. In 2013 she was awarded the Presidential Medal of Freedom, for acknowledging her legacy of "courageously breaking barriers in an industry long dominated by men." Arlo Guthrie, a prolific songwriter in folk music, respected storyteller, and activist, sang from his heart here at Struthers.

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In recent years we have kept the momentum going with rock bands including Nitty Gritty Dirt Band (2015), Grand Funk Railroad (2016), Wynona Judd (2016), and Blue Oyster Cult (2017). Continuing into 2019, Struthers brought in singer/songwriter LeAnn Rimes, adding to the list of our sold-out shows, and bringing contemporary country to our community. To top off our most recent season, we were able to have another eventful year of music overflowing in variety. With names like Dwight Yoakam, who collaborated with local band Company Townes, gave our year its dose of country and folk. The season followed with Straight No Chaser, an acapella group originating in 1996, and finished with The Queen’s Cartoonist, who immersed us into the world of nostalgic cartoons with the livelihood of jazz and classical music.

Struthers Library Theatre represents a myriad of history in performance, movies, art, and knowledge. The dedicated staff and volunteers will continue to protect and preserve the future of quality theatre—as Thomas Struthers’ legacy lives on.

14o Years in Retrospect (Part 1)

Written by Baylie Hoffman (they/them)

Struthers Library Theatre was completed in 1883 through the generosity of Thomas Struthers, a public-minded citizen of Warren. That makes this year the 140th celebration of our historic theatre. Struthers Library Theatre is a legacy that strives to fulfill its mission statement: Entertaining, enriching and educating the people of Warren County and the surrounding region in all the qualities and delights of live theatre, music, dance and film.

Heading used in 1897.

In the theatre’s early days, it housed the public library, as well as rental spaces for private events. In 1883, the theatre opened with the opera “Iolanthe” for their first ever form of entertainment. Harry Kellar who was a predecessor of Harry Houdini, performed his act eight times between 1890 and 1906. Much of what is known of Kellar comes through Houdini, who conducted interviews with him near the end of his life. Harry Houdini later performing at our theatre in 1924, just two years before his death. Tickets to his show ranged from fifty-five cents to the highest cost of a whopping two dollars and twenty cents.

In the early 20th century, many influential actors and artists performed here, including Helena Modjeska, a famous Polish actress, Florence Reed, an American actress known for her roles in The Black Panther and Great Expectations and George Arliss, who went on to become a popular movie star. Arliss starred in The Man Who Played God, alongside the prominent Bette Davis, in her first lead role. Another significant name in our theatre history is, Francis Renault, one of the best-known female impersonators in Vaudeville—as we say today, drag queens! Renault performed up until his death in 1955, including many notable performances at Carnegie Hall. Throughout the mid 20th century, Struthers welcomed substantial names in music such as, Vincent Lopez, Eddy Duchin, and Duke Ellington. Ellington performed with his orchestra in 1954 and is known as one of the greatest jazz composers and bandleader of his time, composing thousands of beloved scores.

A night without entertainment was rare in those first three decades upon the completion of the theatre.  After Vaudeville, an era of movies followed suit. Struthers was leased to two different movie house chains between 1930 and 1966. The Blatt Brothers operated movies from 1966 up until the last movie shown in 1980. At the last movie premiere only five patrons were in attendance. The year was 1981, and the time was ripe for theatre to presume its role as a performing arts facility. With founding of the Friends of the Library Theatre and its tremendous fundraising efforts, the grand re-opening on October 15, 1983, headlined the great jazz artist, George Shearing, classical pianist Eugene List, and opera singers of the Kiltie band. And after years of lull, this began the rebirth of Struthers Library Theatre.

Ellen Paquette Receives Prestigious Peacock Award

Written by Jen Dilks (she/her)

This year’s Membership Celebration featured a very special award ceremony. The Struthers Library Theatre’s Peacock Awards are given rarely, and only to people who have made very significant contributions to the Theatre.  In fact, throughout its history, only nine people have been honored with this award.  Ellen Paquette, recipient of the Peacock Award at the May 13 Celebration, represents all the best qualities the Peacock Award was intended to honor.

Thanks to the active role of her parents (Chase and Mary Putnam) in Struthers Library Theatre, Ellen grew up emersed in the performing arts. Her love of the Theatre, the Theatre community and the wonderful historic building blossomed early in life. Ellen, while still a teenager, worked with her parents during the 1985 rehabilitation of Struthers. She also began performing on stage while quite young. As a long-time member of the Warren Players, Ellen directed seven productions, performed in many plays and musicals, and painted numerous sets. For many years Ellen served as a Struthers Trustee and a member of the Friends of the Library Theatre. She has always been willing to do anything to help the Theatre, including testing the safety of the fire escape from the fourth-floor window.

Ellen was named the Historian of the Library Theatre by Marcy O’Brien, and remains in that role today. Ellen inherited the role of historian from her father, Chase Putnam, and still turns to him for counsel.  Recently Ellen gave an updated history of the Theatre in a presentation to the Warren Chapter of the American Association of University Women. The traditions and integrity of this theatre are extremely near and dear to her heart. She is passionate about Struthers Library Theatre and is eager to share its history with everyone.

Much of the signature artwork throughout the theatre was done by Ellen. She has created stencils to ensure that historically significant artwork can be accurately recreated should any walls need to be restored. She painted all the directional signs in the lobby and was a vital resource in making sure that the recent restoration of the  Sisson Rehearsal hall was historically appropriate.

During Ellen’s tenure on the Board of Trustees she laid a very firm and long-lasting policy foundation. Her work in this arena has recently been rediscovered and is being updated and revitalized by the current Board of Trustees.  Ellen served as chairperson of the Facilities Committee for many years, even beyond her tenure on the Board. She is the original creator of the facilities needs list that we currently use to prioritize building improvements.

Always generous with her time and her many talents, Ellen Putnam Paquette has used her innate abilities for the betterment of Struthers Library Theatre, and the entire Warren Community. The Board of Trustees and staff of Struthers Library Theatre was thrilled to honor her with a Peacock Award.

Legacy Circle Highlight: Janice Carlson

Written by Susan Stout (she/her) and Bob Crowley (he/him)

What makes someone leave a bequest for the Struthers Library Theatre in their will? The answers are probably as varied as the people who do so.  Donors might include your neighbors, the people who sat next to you at the last Concert you attended, someone you pass on the street.  Sometimes the Theatre, itself, is surprised by a bequest, as was the case with this newsletter’s Legacy Circle member.  Only after Janice Carlson’s passing, when her estate was settled, did the Theatre (and other Warren County non-profits) learn about her legacy giving to the community.  Janice’s bequest helped us reach our goals in the 135thAnniversary Capital Campaign.

Cathy Bertch, whom we interviewed for this testimonial, is the goddaughter of Janice Carlson’s parents. Cathy’s lifelong relationship with Janice was like that of an older sister. Cathy was a constant presence in the Carlson household.

The family homestead was located on Walnut Street in Warren.  That house passed down three generations from Janice’s grandparents, to her parents, and then to Janice.  She lived there her entire life.  Janice never married or had children.  Cathy was her closest friend.

An active member of St. Paul’s Lutheran Church, Janice worked for National Fuel Gas Company, retiring at age 55. She enjoyed many evenings of dining out with friends and then attending the Theatre to see a variety of performances. Struthers Library Theatre represented an excellent source of entertainment for Janice.

Janice took care of her parents as they got older and turned to Hospice for help with her father before he died. Cathy was named the executor for Janice’s will.  According to Cathy, in addition to Struthers Library Theatre, Janice also made legacy gifts to Hospice of Warren County, Warren Public Library, and St. Paul’s Lutheran Church.

Cathy said that Janice was “old fashioned” and liked to see things authentically preserved. The Historic Struthers Library Theatre was a perfect fit for the legacy that Janice lovingly bequeathed to her hometown. Janice Carlson’s name is included in the Thomas Struthers Legacy Circle, joining others who have benefitted the Library Theatre with gifts from their estate.

Would you like to learn more about naming the Struthers Library Theatre in your will?  Visit our web site’s GIVE page for more information; then call Executive Director, Karen Austin at 814-723-7231.

What Made Legally Blonde Jr. So Special?

written by Asher Button (he/him)

In spring of 2022, SLT Academy put on a production of Legally Blonde Jr., directed by students Abigail Wilson and Logan Johnson. Students of all ages participated, from elementary schoolers to high schoolers. The show ran for one night only, on June 3. So much more went into this production than the audience knew. We started rehearsing on April 5th and we rehearsed for two months, which is a typical amount for a show here, but not all of it went smoothly.

A few weeks before the show, marketing and education director Eric Morelli decided to have some of the cast perform the opening number, “Omigod You Guys,” at a variety show here in the theater. The cast had minimal preparation, with no prior rehearsal on stage. Eric was in charge of sound, meaning he had to make sure all of the music was prepared and ready to play. Unfortunately, Eric had forgotten to download the second part of the soundtrack, leaving the cast on their own (Note from Eric: Ice cream was provided by way of apology).

The lead role, Elle Woods, was played by Madeline Roell. This was Madeline’s first lead. In preparation for the role, she often had to stay after rehearsals and had to have additional coaching to make sure her performance was perfect. All of her extra work paid off, because she killed it on stage.

The audience was awesome. They loved it. Sometimes you get an audience that doesn’t participate or is low energy, it happens with a ton of shows. It did not happen with this one. They laughed at every joke, stayed quiet, yet high-energy, and really received the show well.

Everybody in the cast was so amazing. They were all so talented and kind. My favorite memory of the show was when we all said what we loved about each other. We didn’t only compliment each other when Logan told us to, we uplifted each other all the time. We would watch our peers rehearse, and then tell them how well they did. I remember telling Jadenne Fofana how much I loved hearing her sing “Ireland” during rehearsal one day.

Everyone in the crew worked so hard to make sure we looked good on stage. I am so thankful for Abigail and Logan for being such wonderful directors. They really handled it well and a lot of our success as a cast can be attributed to them. Logan was such an amazing choreographer to work with, as he always made sure that you were successful. As much as I love slandering Eric, it’s all lighthearted. He really did an amazing job with the sound and I appreciate the fact that he put up with me rambling about my interests. Mara was always there for me and always helped me be my best. There are so many other people who helped out that I could praise, and a whole lot more who I’m probably not even aware of. I’m thankful for all of their talents and their help backstage.

Looking back, I am so glad I decided to participate in this show. After years of performing in musicals, I was tired. I felt like maybe the theater isn’t where I belong. I decided to do one last show just for the hell of it. A last hurrah, if you will. I was cast as Aaron Shultz, a Harvard student with few lines and little background information. I could do whatever I wanted with his character. My first few drafts were of this nerdy boy who likes Batman and listens to Weezer and Car Seat Headrest in his free time; but as time went on, I realized that I was too comfortable. I usually play low-key, awkward characters like him. I needed a change. For the first time, I played a frat boy! This experience made me feel like I do still belong here, I just needed a change of pace. I’m still planning on staying on stage, but I am also going to start to delve into the other things I love about theater, like character development and costuming. I am so insanely proud to say I worked on Legally Blonde Jr. It was truly an amazing experience and I had a wonderful time. I’m glad this isn’t the end of my time in the theater. This show played a big part in my life and it will always be special to me. So many people did so many special things to make it happen and I’m so happy it did.

About the Author

Asher Button has been in theater for as long as he can remember, writing and starring in shows he and his friends wrote themselves. He started in community productions when he was 9, his first show ever being Winnie The Pooh Kids (he is now 16, with 7 years and 15 shows worth of experience). From there his love for theater only grew, and It became a safe space for him to fully express himself. He felt comfortable enough to come out as transgender (female to male), and start playing male roles. Asher aspires to be a role model for other LGBTQ+ individuals in the community. He wants to show that there is not one set way to be queer and that you are capable of anything, no matter how you identify.

Honoring Beloved Board Secretary Bob Crowley

President Judge Maureen Skerda is pictured presenting Bob Crowley with a framed embroidered peacock in recognition of his time on the Struthers Library Theatre Board of Trustees.

Written by Susan Stout (she/her)

A special meeting of the Struthers Library Theatre Board of Trustees was held on December 16, 2021 to honor long-time Board member Bob Crowley.  Crowley is retiring from the Board after 12 years of service during which he participated in a major capital campaign and leadership of three Executive Directors. For much of his tenure on the Board, Bob served as its secretary/treasurer, working with theatre staff and its partners to increase the financial stability of the theatre. His extensive knowledge about philanthropy was vital to ensuring potential donors that their wishes would be respected and in helping to match potential gifts or sponsorships with the theatre’s programming and facility needs. Bob led an on-going effort to develop a legacy giving program for the theatre’s endowment, and will continue in that program even as his Board service ends.

In addition to his work on the theatre’s finances, Bob was always available to lend a helping hand to Board initiatives and to the staff, from cleaning the theatre to mentoring new Board members.  At the meeting to honor Bob’s service, Executive Director Karen Austin sang The Wind Beneath My Wings as it so eloquently summarizes the roles Bob has played for the theatre.  Retired Executive Director Marcy O’Brien revealed that she and her staff had affectionately nick-named Bob “the Badger” because he was so persistent in supporting their efforts to keep track of finances and build stability. President Judge Maureen Skerda presented Bob with a framed embroidered peacock - an allusion to the peacock motif throughout the theatre and on the elevator tower.  In her presentation remarks, she played on Bob’s treasurer role by describing Bob as “a great treasure of the Struthers Library Theatre.”

Bob’s service on the Board of Trustees of the Theatre is only one dimension of his community service.  He has or is currently serving on the Boards of the Catholic Foundation, Second Harvest, the Community Foundation, the DeFrees Family Memorial Foundation, Hospice of Warren County, and others.  He is also an avid St. Bonaventure basketball fan.

Legacy Circle Members help the Theatre Thrive

Times Observer photos by Brian Ferry Above, Juliet Hornburg (center) is surrounded by members of the Struthers Library Theatre Board of Trustees (from left) President Susan Stout, Secretary Robert Crowley, and Shawn Walker.

Written by Susan Stout (she/her) and Bob Crowley (he/him)

A life-long interest in the performing arts, starting with her own participation in dance, as a student and teacher, compelled Juliet Mason Hornburg to give generously to Struthers Library Theatre.

When Juliet Mason Hornburg was a little girl in tiny Ellington, New York her mom introduced her to dance classes at an early age of 4 or 5 – the beginning of her love affair with the arts.  She rode the bus 50 miles each way to Olean, NY to take dance lessons.  When Juliet was 12, she made her first trip to New York City to see the Rockettes and also Hal Holbrook in Mark Twain Tonight!

Later, while still a sophomore in high school, she began her career as a dance instructor.  Immediately after her evening classes, Juliet would continue her dance studies with the studio’s principal dance teacher, Cybil McKay. Taking the last bus home enabled her to crawl into bed by 11 pm.  After she graduated, Juliet danced professionally for a period of time.  Marrying young, Juliet and and her first husband, a builder, had five children.  She grew up in the building business and worked as a partner in managing Ellington Hardwood Lumber for 33 years - learning the value of hard work. Juliet has great interest in acknowledging and rewarding those who are talented and dedicated in what they do. 

Juliet became a strong supporter of the Struthers Library Theatre in 2015 when she made the lead gift. She gave yet another gift to close the fundraising of the 135th Anniversary Capital Campaign.  Now her primary focus for the Legacy Circle gift is to provide ongoing support for the staff.  Juliet said, “The Theatre has come a long way and it is imperative to provide support in perpetuity for basic salaries and operating costs to retain, reward, and appreciate good staff.  This “gem” is the hub of our rural community and has achieved the most prestigious award from the League of Historic American Theatres—Theatre of the Year in 2018.  So far the Theatre has been managed successfully, but we can’t allow it to just get by hand-to-mouth.” 

Juliet Hornburg ­holding the League of Historic American Theaters 2018 Outstanding Theater award ­ and her family (clockwise from left) Nathan Mason, Camy Mason, Britni Brundidge, Ann Mason, and Barry Mason.

When asked about some of the most memorable performances she’s appreciated at the Theatre, Juliet said she loved the children’s dance shows such as DeSales University presentations and the Molly Dies Dance Express Christmas Spectacular.  This brought back childhood memories of when she was a dancer, and the first time she saw the Rockettes in New York

Board Chair Susan Stout said, “Juliet’s gift is a tremendous affirmation of her philanthropy, and is perfectly aligned with the Theatre’s mission-driven long-term strategic goal to build the endowment so that generations who follow us will continue to be enriched, entertained, and educated in all the qualities and delights of live theatre, music, dance, and film.  We are grateful that Juliet’s love of the arts makes her a true partner in helping us dream about our future.”

Would you like to learn more about making a legacy gift to the Struthers Library Theatre?  

Please visit our planned giving website at strutherslibrarytheatre.givingplan.net, talk with your financial advisor, and call the Theatre for more information. 

Reintroducing our Executive Director

Struthers Library Theatre Executive Director Karen Austin

Ms. Austin brings a wealth of management experience to the position and knowledge of the arts as a performer and director. Prior to her appointment as Interim Executive Director, she actively worked as a volunteer and served on the Board of Trustees. Ms. Austin’s familiarity with Theatre operations allowed her to get a running start in the Executive Director position. Along with her knowledgable staff, Karen is working to ensure continuity of programming, communications, and events - upholding the Theatre’s historic tradition of excellence in serving Warren and the surrounding region. Ms. Austin was already familiar to Theatre partners and patrons as a frequent participant and attendee at Theatre events. She continues to lead Karaoke events at Sally’s Encore and is serving as co-director with Eric Morelli (Marketing and Education Director) with the fall semester ARTE program. Even before her appointment as Executive Director, Ms. Austin was instrumental this spring in building a plan to restore the fourth floor Rehearsal Hall. From bid specifications to funding, she has overseen other facilities projects since assuming the leadership role. Ms. Austin is a graduate of Longwood University in Virginia and serves on several local boards and organizations. She and her husband, Greg, are proud to call Warren their home. 

As Ms. Austin stepped into the Executive Director position, Austin remarked, “I think that the Struthers Library Theatre is an absolute gem. It has been so thrilling to see the diversity and vitality of its programming, and I am excited to have this opportunity to ensure continuity and ongoing progress.

I look forward to strengthening relationships with Theatre partners and the community – our very generous donors, Warren Players, Friends of the Library Theater, the Theatre’s own ARTE program for Struthers Library Theatre youth, Yankee Bush Productions, and others. Having served on the Board of Trustees, I have the utmost respect for every Board member and look forward to working with them to keep the Theatre moving into an exciting future.” 

Board President Susan L. Stout reported, “The entire Board is thrilled that Karen Austin has agreed to serve as Executive Director. She brings so much talent and energy and such a collaborative spirit to the role. Any time you visit the Theatre, you’ll see Karen Austin in action, whether it’s singing Karaoke, dancing on-stage during the Rocky Horror Picture Show, checking on a construction project, working with youth, or consulting with partners and sponsors. Karen is always working for the best interest of the Theatre and the community we serve.”

Call Karen Austin at 814-723-7231 to learn about volunteer opportunities at the Theatre.

What’s Happening at Struthers Library Theatre? Plenty!

photo credit: Kira Spencer

Just since July of 2021, we’ve completed some improvements to our facility, and begun work on other improvements.  We’ve continued our full array of programming, from intimate evenings with Sixpence in Sally’s Encore through major Celebrity Series events. Our partners are all back, including Warren Players, Molly Dies, Yankee Bush, and the Friends of the Library Theatre.

Facilities Improvements: We have added a long-needed wheelchair accessible restroom on the first floor and begun a full renovation of what will become the Sisson Family Rehearsal Hall on the 4th floor. Theatre historian Ellen Paquette helped us match the palette for the restoration to original colors used in its previous life as a Masons Hall. A generous gift from the Haverlack family made the Rehearsal Hall renovations possible.

Performances galore:.  Our own full array of programming (masks required) returned, with Cadillac Three, the Glenn Miller Orchestra, the Gin Blossoms, and a Cirque Christmas Special.  We continued to make every film showing an event, with Karaoke or guest singers in Sally’s Encore preceding the show, and active audience engagement. Our Comedy Nights and musical programming returned to Sally’s Encore Theatre Bar. Sponsors for SLT programming include Northwest Bank, United Refining, Superior Tire, the Sokolski Family Foundation, the Community Foundation of Warren County, the De Frees Family Memorial Fund and many others.

Allegheny Regional Theatre Experience  Our Summer Theatre Camp for youth developed a script that grew into the Allegheny Regional Theatre Christmas show, exposing area youth from 3rd through 12th grade to every aspect of theater production..Support from the Kay Hardesty Logan Foundation supported youth programming at the Theatre.

Our partners are back: We partnered with the Warren Players to host their wildly successful production of Mamma Mia, as they returned to the stage after a long COVID pause. Molly Dies dancers helped us with a donor event in the summer then brought their beloved Christmas Spectacular to the Theatre in November.  Tribute acts presented by Yankee Bush Productions were back as well. As always, the Friends of the Library Theater helped with everything from concessions to ushering and with film selection and projection.

Become a member of the Library Theatre and support what’s happening at SLT.

Be part of what’s happening – become a member today!

Visit: www.strutherslibrarytheatre.org/membership