Member Pre-Sale: Thursday, March 26, at 10 AM
Public On-Sale: Friday, March 27th, at 10 AM
Sunday, June 21
Doors: 6:00 PM / Show: 7:00 PM
Tickets: $65 / $55 / $45
The Robert Cray Band, with special guest Jeff Fetterman, will be at Struthers Library Theatre on Sunday, June 21, at 7:30 PM. Sponsored by the Community Foundation of Warren County.
Blues icon. Soul man. Rock and roller. Robert Cray is all these things–and more. The Georgia-born, Washington-raised musician first picked up a guitar after seeing The Beatles on TV then, having witnessed Jimi Hendrix perform in Seattle, determined that his destiny would also follow a similar path. And so he has: across the past half century, Robert Cray’s developed into one of American music’s most singular artists." I guess you'd have to say that we were lucky,” reflects Cray on his life in music, “because, growing up in the 1960s, the different music played on the radio really opened us up. I mean, we even hadAlbert Collins play our high School graduation party."From forming a teenage garage band, through to striding the stage alongside several of the world’s greatest guitarists, Robert Cray’s story is one of struggle and commitment. Struggle and commitment that led to Cray enjoying phenomenal success–selling millions of albums and countless concert tickets, winning five Grammy Awards, being inducted into the Blues Hall of Fame, recipient of the Americana Music Lifetime Achievement Award, designing two signature model Fender guitars–yet for Robert, what’s always mattered most is the music. Every note he plays counts, every song he sings is delivered as if it is his last: integrity and intensity are what have guided Cray’s musical career. He has never cheapened his output or delivered a substandard performance. Indeed, his commitment to making music of the highest standard has won Cray both a loyal audience and the respect of many of popular music’s most legendary figures. Think about it: Robert Cray has shared stage and/or studio with the likes ofJohn Lee Hooker, Muddy Waters, B.B. King, Buddy Guy, Chuck Berry, Albert Collins, The Rolling Stones, EricClapton, Tina Turner, Stevie Ray Vaughan, the Memphis Horns, and Hi Rhythm Section.
Cray’s stinging guitar playing and soulful voice, his skills as a band leader and performer, mark him as keeper of the flame for American roots music, an artist who never fails to deliver."We were so lucky just be able to see them,” says Cray of trading guitar licks on stage with legends of blues, rock and soul, “let alone share the stage with them-what an experience!"Cray’s rise to the top was, like his music, a slow burn; he first built a following in small towns across the Pacific Northwest. Even before Cray had a record deal, he enjoyed local hero status–so much so in 1978 he was cast (as a musician) in Animal House, the blockbuster comedy that madeJohn Belushi famous. 1978 was also the year Cray recorded his debut album, Who’s Been Talkin’, although Tomato Records’ internal problems held up Talkin’s release until 1980. And then, just asTalkin’was winning great reviews, Tomato collapsed into bankruptcy. Got the blues? Young Robert certainly could have claimed he had them. But Cray isn’t given to complaining; instead, he persevered, committed then, as he is now, to taking his music to the people. After Tomato,Cray and his band–today consisting of Richard Cousins (bass guitar–there since high school days), Dover Weinberg (keyboards) andLes Falconer(drums)–used the momentum the album gave them to play further afield. By now, Cray was buddies with a young guitarist from Texas: Stevie Ray Vaughan.“We played in 1979 at the San Francisco Blues Festival,” recalls Cray, “and I watched Stevie’s show and he's just smoking. Afterwards, Richard and I went up and chatted with him, and we just hit it off. Stevie was great-if we were in Austin he’d always come and join us on stage.”Signing to Hightone, Cray’s 1983 album Bad Influence established him internationally: he was invited to play Carnegie Hall, toured Europe, later finding Eric Clapton recording Bad Influence’s title track. 1985 saw Cray’s False Accusations album increase his standing as the foremost singer of blues noir songs, while that year’s Showdown!-a sizzling collaboration with guitarists Albert Collins and Johnny Copeland-won Robert huge acclaim from blues musicians and fans: the new guy’s the real deal!Signing to Mercury Records, Cray’s 1986 album Strong Persuader ensured he became the first blues/soul musician to break through in the MTV era.Strong Persuader won Cray rave reviews from pop and rock critics, topped charts worldwide, sawCray grace the cover of Rolling Stone magazine and winning the Grammy for Best Contemporary Blues Recording in 1988.Strong Persuader, with its songs of infidelity, guilt, and unease, while not in any sense conventional Top 40 music, proved so strong an album that it broke through barriers, sold millions of copies and would prove extremely influential(2026 being the 40th anniversary).
Cray’s breakthrough allowed both young and older blues and soul musicians to gain wide attention and radio play: John Lee Hooker’s career resurrection came soon after with The Healer, and Robert plays on that seminal album.“It was great to be able to travel around the world,” says Cray of Strong Persuader’s success. “It afforded us a lot of great opportunities that we were lucky to experience.”Cray’s being modest here: suddenly he found himself the hottest guitarist working–Tina Turnerinvited Robert to support her huge European tour (every night, after playing with his band, Craywould join Tina on stage to play A Change Is Gonna Come), thenKeith Richards called, requestingCray join the band backing Chuck Berry for Taylor Hackford’s celebratory feature lengthdocumentaryHail Hail Rock ‘N’ Roll. Here, Cray not only got to play with the mercurial Berry(+Linda Ronstadt and Etta James, amongst many notable artists), he also formed a friendship withSteve Jordan, then drummer for the project and Richards’ solo band.Now internationally famous, Cray found himself in intense demand: he toured withTheStones and played withB.B King, Buddy Guy, and Eric Clapton.Headlining in noted music festivals–these included Glastonbury in the UK and Crossroads Guitar Festival in the US-and kept developing his sound over a selection of strong albums across the 1990s.Cray’s songwriting has addressed ageing, love, loneliness, domestic turmoil, and US politics.As an artist, Robert Cray’s aged like fine wine–his voice has developed a greater range and expressiveness, which he’s put to use on masterful interpretations of such Southern soul standards as I Forgot To Be Your Lover (William Bell), Your Good Thing Is About To End (Mable John) and Nobody’s Fault But Mine (Otis Redding). At the same time, Cray’s guitar playing now possesses an additional depth, a growl that can hint at a caress then signal emotional upheaval.His recent run of albums–2014’sIn My Soul, 2017’sRobert Cray & Hi Rhythm, and 2020’s masterful That’s What I Heard(all produced by Steve Jordan, now the Stones’ drummer)–are amongst the very finest he’s made. Every song here is deeply felt, whether an agonised song of loss, an angry protest number, or a dance tune that gets audiences pumping (My Baby Likes To Boogaloo is great funky fun).Across five decades, Robert Cray has created a richly inclusive American music, revitalising both blues and soul while rocking hard with the very best. To achieve 50 years in the music industry and still be as fresh and committed as when starting is an achievement few can boast of, but Craycan: he has released 19 studio albums, every one replete with his extremely distinctive songs, won five Grammy Awards, and continues to make music that sounds like no one but Robert Cray. "All these years we have been fortunate to do what we love doing, playing the music we love playing,” says Cray with a smile. “I couldn't ask for anything more.
With Special Guest: Jeff Fetterman
Jeff Fetterman will open for the Robert Cray band on Sunday, June 21, at 7 PM. Blues/rock guitarist Jeff Fetterman delivers the promise to keep the blues alive and well. Influenced by blues greats such as Kenny Wayne Shepherd, Stevie Ray Vaughan, and BB King, he plays with a fiery passion that has earned him the nickname “Boss of the Blues”.
“Fetterman is literally unstoppable. The American guitarist and singer/songwriter confirmed once again, through his new album Southern Son, to be one of the most inspired, talented, and versatile blues/rock and funk artists of the current generation. Jeff Fetterman at his absolute best!” Gio Pilato Bluebird reviews. Born and raised in small-town America in Bradford, PA, Jeff began his musical journey at age of 13. Decades later he has received numerous awards for his playing and writing.
Jeff has also received endorsements with Zemaitis guitars and Nicola brand strings. He has played with some of the greatest blues musicians in the business that include Kenny Wayne Shepherd, Ana Popovic, Joe Louis Walker, Jimmy Vaughan, Samantha Fish, Chris Duarte, Steven Stills, and, Robert Randolph.
For Jeff, the end of the road is nowhere near in sight as he continues to play and write music and tour.